A Concise Companion to the Victorian Novel

Front Cover
Francis O'Gorman
John Wiley & Sons, Apr 15, 2008 - Literary Criticism - 304 pages

This volume presents fresh approaches to classic Victorian fiction from 1830-1900.

  • Opens up for the reader the cultural world in which the Victorian novel was written and read.
  • Crosses traditional disciplinary boundaries.
  • Provides fresh perspectives on how Victorian fiction relates to different contexts, such as class, sexuality, empire, psychology, law and biology.
 

Contents

Introduction
1
1 The sun and moon were made to give them light Empire in the Victorian Novel
4
2 Seeing is believing? Visuality and Victorian Fiction
25
3 The boundaries of social intercourse Class in the Victorian Novel
47
4 Legal subjects legal objects The Law and Victorian Fiction
71
5 The withering of the individual Psychology in the Victorian Novel
91
6 Telling of my weekly doings The Material Culture of the Victorian Novel
113
7 Farewell poetry and aerial flights The Function of the Author and Victorian Fiction
134
8 Everywhere and nowhere Sexuality in Victorian Fiction
156
9 One of the larger lost Continents Religion in the Victorian Novel
180
10 The difference between human beings Biology in the Victorian Novel
202
11 One great confederation? Europe in the Victorian Novel
232
12 A long deep sob of that mysterious wondrous happiness that is one with pain Emotion in the Victorian Novel
253
Index
271
Copyright

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About the author (2008)

Francis O’Gorman is Lecturer in Victorian Literature at the University of Leeds. He has written widely on Victorian poetry and non-fictional prose, including the books John Ruskin (1999), Late Ruskin: New Contexts (2001), and the Victorian Novel (2002) in the Blackwell Critical Guide Series, and also co-edited the collection Ruskin and Gender (2002). He has published on Milton, Robert Browning, Michael Field, Charles Kingsley, Robert Frost, Henrietta Huxley, Victorian agnosticism, Victorian masculinities, and co-edited a collection of essays on Margaret Oliphant (1999) and on Landscape, Writing and Community (2001). His most recent book, Victorian Poetry: An Annotated Anthology, was published by Blackwell in 2004.

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