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Symbolic Narratives/African Cinema: Audiences, Theory and the Moving Image

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June Givanni
1 Review
British Film Institute, Aug 26, 2001 - Performing Arts - 256 pages
This volume provides a unique and unprecedented forum for debate between the different African cinematic communities (including North African filmmakers). Views are exchanged on topics ranging from the problems of production, exhibition, and distribution to questions of "modernity," postcolonial theory, and the (arguably increasing) presence of western cultural imperialism.
The papers and the responses to the papers edited by critic and programmer June Givanni are presented in full and Imruh Bakari's introduction places the material in the context of previous and subsequent debate.

Contributors: Manthia Diawara, Teshome Gabriel, Clyde Taylor, John Badenhorst, Ferid Boughedir, Gaston Kabore, Tafatoana Mahoso.
Contributing film-makers: Ousmane Sembene, Idrissa Ouédraogo, Haile Gerima, Nouri Bouzid, John Akomfrah, Kobena Mercer, Ella Shohat, Ngugi Wa Thiongo, Tahar Cheriaa, and Sylvia Wynter

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Review: Symbolic Narratives/African Cinema: Audiences, Theory and the Moving Image

User Review  - Kit A. - Goodreads

I found this idea extremely relevant, not just in relation to film but pretty much everything else: We "thrive on portrayals of Africa's tragic situation, but possess little understanding or desire to ... Read full review

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Contents

African Cinema and the Emergent Africa
3
The Cinematic Text after Man
25
What Is It and How Is It Identified?
79
Copyright

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About the author (2001)

June Givanni was Editor of the Black Film Bulletin until 1997 and is now a freelance film programmer and African Cinema consultant/advisor. Imruh Bakari lectures in Media, Film and Communication at King Alfred's College, Winchester, and is co-editor of African Experiences of Cinema.

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