The mask of Venice: masking, theater & identity in the art of Tiepolo & his time

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University of California, Berkeley Art Museum in association with the University of Washington Press, 1996 - Art - 119 pages
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The Mask of Venice looks at the mask, both literal and figurative, as a way of approaching the rich artistic production of 18th-century Venice. Timed to coincide with the 300th anniversary of the birth of Giambattista Tiepolo, the book explores the visual representation of masking as a metaphor for disguise and freedom in the otherwise rigidly controlled society of the time. Moving from images of masking in Venetian society, to the derivation of the mask from the commedia dell'arte, to the use of theatrical devices both to hide and reveal character in the visual arts, The Mask of Venice studies the social world as well as the world of artistic imagination. This trajectory through the liberation of the mask ultimately allows us to unmask, at least in part, the often mysterious work of Tiepolo himself.

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Contents

Directors Foreword
7
The Private Art of the Tiepolos
35
Select Bibliography
116
Copyright

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About the author (1996)

James Christen Steward is Director of the University of Michigan Museum of Art (UMMA). Deborah Willis is Professor of Photography and Imaging at New York University. Kellie Jones is Assistant Professor of the History of Art and African American Studies at Yale University. Richard Candida Smith is Professor of History at the University of California, Berkeley. Lowery Stokes Sims is Director of the Studio Museum, Harlem, New York. Sean M. Ulmer is Curator of Modern and Contemporary Art at UMMA. Katharine Derosier Weiss is Exhibitions Assistant at the University of Michigan Museum of Art.

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