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Lord Byron:

Don Juan
Front Cover
73 Reviews
Penguin, 1977 - Don Juan (Legendary character) - 756 pages
In this rambling, exuberant, conversational poem, the travels of Don Juan are used as a vehicle for some of the most lively and acute commentaries on human societies and behaviour in the language. The manner is what Goethe called 'a cultured comic language' - a genre which he regarded as not possible in German and which he felt Byron managed superbly. This edition is itself a significant contribution to Byron scholarship. The editors have been able to draw on their authoritative edition of the poem published by the University of Texas Press. The extensive annotation covers points of difficulty, selected variant readings and a mass of information on the historical allusions which Byron wove into the poem. Book jacket.
  

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Review: Don Juan

User Review  - Dee Ann - Goodreads

I love the satirical nature of this work, and the sheer delight of laughing out loud over certain verses. In comparison to overly earnest Romantics, this is snarky and refreshing. Of course, Byron could hold his own with a love poem, too. Read full review

Review: Don Juan

User Review  - Jerry - Goodreads

A joy to meander and stumble through. Read full review

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Contents

VIII
37
IX
41
X
46
XI
102
XII
157
XIII
189
XIV
219
XV
259
XXI
375
XXII
397
XXIII
420
XXIV
443
XXV
471
XXVI
497
XXVII
522
XXVIII
555

XVI
261
XVII
264
XVIII
295
XIX
317
XX
353
XXIX
559
XXX
561
XXXI
756
Copyright

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About the author (1977)

English poet and dramatist George Gordon, Lord Byron was born January 22, 1788, in London. The boy was sent to school in Aberdeen, Scotland, until the age of ten, then to Harrow, and eventually to Cambridge, where he remained form 1805 to 1808. A congenital lameness rankled in the spirit of a high-spirited Byron. As a result, he tried to excel in every thing he did. It was during his Cambridge days that Byron's first poems were published, the Hours of Idleness (1807). The poems were criticized unfavorably. Soon after Byron took the grand tour of the Continent and returned to tell of it in the first two cantos of Childe Harold (1812). Instantly entertained by the descriptions of Spain, Portugal, Albania, and Greece in the first publication, and later travels in Belgium, Germany, Switzerland, and Italy, the public savored Byron's passionate, saucy, and brilliant writing. Byron published the last of Childe Harold, Canto IV, in 1818. The work created and established Byron's immense popularity, his reputation as a poet and his public persona as a brilliant but moody romantic hero, of which he could never rid himself. Some of Byron's lasting works include The Corsair, Lara, Hebrew Melodies, She Walks In Beauty, and the drama Manfred. In 1819 he published the first canto of Don Juan, destined to become his greatest work. Similar to Childe Harold, this epic recounts the exotic and titillating adventures of a young Byronica hero, giving voice to Byron's social and moral criticisms of the age. Criticized as immoral, Byron defended Don Juan fiercely because it was true-the virtues the reader doesn't see in Don Juan are not there precisely because they are so rarely exhibited in life. Nevertheless, the poem is humorous, rollicking, thoughtful, and entertaining, an enduring masterpiece of English literature. Byron died of fever in Greece in 1824, attempting to finance and lead the Byron Brigade of Greek freedom fighters against the Turks.

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