| Joseph Kerman - Music - 2009 - 260 pages
Contemplating Music is a book for all serious music lovers. Here is the first full-scale of ideas and ideologies in music over the past forty years; a period during which ... | |
| Joseph Kerman - Music - 2008 - 410 pages
The death of classical music, the distinguished critic and musicologist Joseph Kerman declares, is “a tired, vacuous concept that will not die.” In this wide-ranging collection ... | |
| Joseph Kerman - Music - 2005 - 204 pages
Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas ... | |
| Joseph Kerman - Music - 1988 - 248 pages
"Intemperate, insightful, argumentative, outrageous, brilliant: Joe Kerman's Opera as Drama continues to provoke and enlighten. There is really nothing quite like it."—Philip ... | |
| Joseph Kerman - Music - 1979 - 412 pages
A critical study of the structure, style, and significance of the sixteen string quartets. | |
| Joseph Kerman, Professor of Music Joseph Kerman - Music - 1981 - 362 pages
In this, the first of a three-volume study of Byrd's complete output, under the general title The Music of William Byrd, the author essays a first full-scale historical and ... | |
| Joseph Kerman - Music - 1990 - 228 pages
Turn-of-the-century modernists were involved, implicated, and often locked in a struggle with all the formidable legions of nineteenth-century music. The focus of this ... | |
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