 | Gregory W. Mank - Biography & Autobiography - 1999 - 403 pages
They had more in common than just a scream, whether they faced Dracula, Frankensteins Monster, the Mummy, Dr. Jekyll, Mr. Hyde, King Kong, the Wolf Man, or any of the other ... | |
 | Performing Arts - 1997 - 177 pages
In Recreational Terror, Isabel Cristina Pinedo analyzes how the contemporary horror film produces recreational terror as a pleasurable encounter with violence and danger for ... | |
 | Ann Kibbey - Performing Arts - 2005 - 240 pages
Ann Kibbey's 'Theory of the Image' is based on a concept of the image as a dynamic relation rather than a thing. In three essays Kibbey contends that the image itself is an ... | |
 | Barbara Creed - Performing Arts - 1993 - 182 pages
In almost all critical writings on the horror film, woman is conceptualised only as victim. In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing ... | |
 | Virginia W. Wexman - Performing Arts - 1993 - 288 pages
This examination of the changing relationships between men and women in modern culture argues that Hollywood film has often been a powerful mirror of American romance and ... | |
 | Alexandra Heller-nicholas - Performing Arts - 2011 - 230 pages
"Only on rare occasions has the rape-revenge movie transcended what is assumed to be its exploitative nature and moved into the mainstream. This overview reassesses that ... | |
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