| James A. Knapp - Literary Criticism - 2016 - 262 pages
Throughout his plays, Shakespeare placed an extraordinary emphasis on the power of the face to reveal or conceal moral character and emotion, repeatedly inviting the audience ... | |
| Clark Hulse - Art - 1990 - 244 pages
What do Renaissance poetry and painting have in common? What are the social, ideological, and aesthetic bases for the links between them? And what role do those links play in ... | |
| |