| Elke D'hoker - Literary Criticism - 2004 - 254 pages
Visions of Alterity: Representation in the Works of John Banville offers detailed and original readings of the work of the Irish author John Banville, one of the foremost ... | |
| Madelena Gonzalez - Literary Criticism - 2005 - 274 pages
Fiction after the Fatwa: Salman Rushdie and the Charm of Catastrophe proposes for the first time an examination of what Rushdie has achieved as a writer since the fourteenth of ... | |
| Lawrence Phillips, Lawrence Alfred Phillips - History - 2004 - 240 pages
Preliminary Material --Introduction: The Swarming Streets: Twentieth-Century Literary Representations of London /Lawrence Phillips --A Risky Business: Going Out in the Fiction ... | |
| Anne C. Hegerfeldt - Literary Criticism - 2005 - 392 pages
Magic realism has long been treated as a phenomenon restricted to postcolonial literature. Drawing on works from Britain, Lies that Tell the Truth compellingly shows how magic ... | |
| Russell West-Pavlov - Drama - 2006 - 262 pages
Bodies and their Spaces: System, Crisis and Transformation in Early Modern Theatre explores the emergence of the distinctively modern "gender system" at the close of the early ... | |
| Samuel Fisher Dodson - Literary Criticism - 2006 - 191 pages
Berryman's Henry: Living at the Intersection of Need and Art offers scholars and students the first thorough and well-researched vehicle into John Berryman's epic poem The ... | |
| Barbara Rawlinson - Literary Criticism - 2006 - 309 pages
This comprehensive study of George Gissing's short stories and related non-fiction is essential reading for students of nineteenth-century realism. For the first time readers ... | |
| Martin Willis, Catherine Wynne - Literary Criticism - 2006 - 280 pages
Victorian Literary Mesmerism offers eleven interdisciplinary essays on the intersections between mesmerism and nineteenth-century literature. Its scope is complex and ambitious ... | |
| Carl Krockel - Literary Criticism - 2007 - 345 pages
D. H. Lawrence has suffered criticism for the emotional excess of his language, and for a suspected leaning towards right-wing politics. This book contextualises his style and ... | |
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