An essay upon prints. By William Gilpin ... Third edition |
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admirable agreeable alfo almoſt animals artiſt beautiful beft BERGHEM beſt beſt prints character chiefly colour compofition confifts contraft copied defign difagreeable difpofed difpofition diftant diftribution of light diſtance drawing effect of light elegant engraved etched excellent execution expref expreffion faid fame fatire feems feldom fhade fhadow fhall fhew fhould fimplicity fingle figure finiſhed fion firft firſt fmall foftneſs fome fometimes fpirit freedom ftrength ftroke ftrong ftyle fubject fuch genius give grace gures heads hiftory himſelf HOGARTH idea illuftrated impreffion inftances introduced itſelf landſcape landſkip leaſt lefs mafter management of light manner mannerists maſterly merit mezzotinto middle tint moft moſt muſt nefs nerally obfervations paffion painter painting picture pieces plate pleafing pleaſing pofition POLYCRATES portraits preferved principal figure RAKE'S PROGRESS REMBRANDT repreſentation repreſenting ſcarce ſeems SILENUS ſketches ſmall ſome ſtory ſtyle thefe theſe thofe thoſe tion touched uſed WATERLO whole WILLIAM GILPIN