An Essay on the Picturesque: As Compared with the Sublime and the Beautiful; And, on the Use of Studying Pictures, for the Purpose of Improving Real Landscape |
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admired againſt alfo almoſt alſo appearance artiſt banks beauty Brown cafe caufe cauſes character characteriſtic circumftance Claude cloſe clumps colour compofition confequently courſe deftroying degree diftinguiſhed diſtinct Effay effect expreffed expreffion faid fame fcenes feems feen fenfe feparate fhade fhew finiſhed firſt fome fometimes fpring freſh freſhneſs ftill ftones ftriking ftrong ftrongly ftudied ftyle fubject fublime fuch fudden fuppofe furface grandeur higheſt himſelf houſe idea improver inftance intereſting intricacy itſelf juſt landſcape laſt leaſt lefs leſs light and ſhadow mind moft moſt muft muſt nature nefs neral obferved objects oppofite paffage painter painting perfon pictureſque pleaſing pleaſure poffibly preſent principles purpoſe qualities racter reaſon refque reſpect river roughneſs ſcenery ſcenes ſeems ſenſe ſhade ſhould ſmooth ſmoothneſs ſome ſtate ſtill ſtudy ſtyle ſuch taſte thefe themſelves theſe thing thofe thoſe tints tion Titian trees uſed variety whofe whoſe wiſh wood