Art, Ideology, and the City of Teotihuacan: A Symposium at Dumbarton Oaks, 8th and 9th October 1988 |
Contents
| 27 | |
| 57 | |
| 89 | |
RUBÉN CABRERA CASTRO | 113 |
JANET CATHERINE BERLO | 129 |
KARL A TAUBE | 169 |
COWGILL | 229 |
LANGLEY | 247 |
LINDA MANZANILLA | 321 |
RENÉ MILLON | 339 |
INDEX | 431 |
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Common terms and phrases
American analysis Ancient Antropología apartment appear Archaeological architecture associated Aztec barrio Basin Berlo bowl building burials cave central century ceramic Ciudadela Classic clay collective communication complex compounds construction Cowgill culture deity depicted discussed Dumbarton Oaks Early evidence example excavation face Feathered Serpent figure floor flowers fragments Goddess hands headdress human iconography identified images important individuals Instituto lapidary Late located Mapping materials Maya meaning Mesoamerica Metepec Mexico Millon mirror Monte mural Museum Nacional objects occur offerings painting Pasztory period phase possible practices present Press production Pyramid Rattray region René representations represented ritual Sanders seems shell side similar social society stone Street structure style suggests surface symbolic Temple Teotihuacan tion types University Valley volume walls Washington workshops York
Popular passages
Page 80 - This research was supported by a grant from the Social Sciences and Humanities Research Council of Canada.
Page 401 - ARMILLAS, PEDRO 1948 — A sequence of cultural development in Meso-America.
Page 151 - Centzonuitznaua went,17 the few who escaped the hands of Uitzilopochtli. And upon this, when he had slain them, when he had taken his pleasure, he took from them their goods, their adornment, the paper crowns. He took them as his own goods, he took them as his own property; he assumed them as his due, as if taking the insignia to himself.



