Art as Art: The Selected Writings of Ad Reinhardt
Ad Reinhardt is probably best known for his black paintings, which aroused as much controversy as admiration in the American art world when they were first exhibited in the 1950s. Although his ideas about art and life were often at odds with those of his contemporaries, they prefigured the ascendance of minimalism. Reinhardt's interest in the Orient and in religion, his strong convictions about the value of abstraction, and his disgust with the commercialism of the art world are as fresh and valid today as they were when he first expressed them.
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A Contribution to a Journal of Some Future Art Historian 1958
Black Symbol undated
Imageless Icons undated
What are Artists Crimes as Artists? 1963
Creation as Content undated
Twelve Rules for a New Academy 1957
Angkor and Art 1961
To Be Part of Things undated
Timeless ArtWords undated
Art vs History 1966
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abstract art academy action activity aesthetic American Angkor architecture art history art-as-art artists asked became become beginning bibliography black paintings brush called century Chinese classic color comes complete consciousness corruption critics darkness decoration direct dogma early empty Ethics everything everywhere exhibition exist expression expressionist fifties forced forties freedom Gallery GLASER human idea illus images imaginative interest involved it's kind late less light living looking matter meaning mind modern art moral Museum nature never notes object once original painter picture present problem published pure qualities question reason Reinhardt relation religion rules seen sense separate social space square standards statement studio symbol thing thirties thought timeless tion tradition true ugly universal Unpublished values Western writings wrong York
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The Fate of the Object: From Modern Object to Postmodern Sign in Performance ...
No preview available - 1995