Blues Legacies and Black Feminism: Gertrude Ma Rainey, Bessie Smith, and Billie Holiday
From one of this country's most important intellectuals comes a brilliant analysis of the blues tradition that examines the careers of three crucial black women blues singers through a feminist lens. Angela Davis provides the historical, social, and political contexts with which to reinterpret the performances and lyrics of Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday as powerful articulations of an alternative consciousness profoundly at odds with mainstream American culture.
The works of Rainey, Smith, and Holiday have been largely misunderstood by critics. Overlooked, Davis shows, has been the way their candor and bravado laid the groundwork for an aesthetic that allowed for the celebration of social, moral, and sexual values outside the constraints imposed by middle-class respectability. Through meticulous transcriptions of all the extant lyrics of Rainey and Smith−published here in their entirety for the first time−Davis demonstrates how the roots of the blues extend beyond a musical tradition to serve as a conciousness-raising vehicle for American social memory. A stunning, indispensable contribution to American history, as boldly insightful as the women Davis praises, Blues Legacies and Black Feminism is a triumph.
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LibraryThing ReviewUser Review - pinkcrayon99 - LibraryThing
Davis explains that the Blues genre belongs to women just as much as it does men. Davis stated that the Blues provided a space where women could express themselves in new ways. By analyzing the work ... Read full review
BLUES LEGACIES AND BLACK FEMINISM: Gertrude ``Ma'' Rainey, Bessie Smith, and Billie HolidayUser Review - Kirkus
An earnest attempt by the well-known scholar (Women, Culture, and Politics, 1989, etc.) and activist to see three great African-American singers as part of a black feminist tradition. In her ... Read full review