Body Art/performing the Subject

Front Cover
U of Minnesota Press, 1998 - Art - 349 pages
An examination of the social and cultural significance of body art by a major new voice.

The past few years have seen an explosion of interest in body art, in which the artist's body is integral to the work of art. With the revoking of NEA funding for such artists as Karen Finley, Tim Miller, and others, public awareness and media coverage of body-oriented performances have increased. Yet the roots of body art extend to the 1960s and before. In this definitive book, Amelia Jones explores body art projects from the 1960s and 1970s and relates their impact to the work of body artists active today, providing a new conceptual framework for defining postmodernism in the visual arts.

Jones begins with a discussion of the shifting intellectual terrain of the 1950s and 1960s, focusing on the work of Ana Mendieta. Moving to an examination of the reception of Jackson Pollock's "performative" acts of painting, she argues that Pollock is a pivotal figure between modernism and postmodernism. The book continues with explorations of Vito Acconci and Hannah Wilke, whose practices exemplify a new kind of performance that arose in the late 1960s, one that represents a dramatic shift in the conception of the artistic subject. Jones then surveys the work of a younger generation of artists -- including Laurie Anderson, Orlan, Maureen Connor, Lyle Ashton Harris, Laura Aguilar, and Bob Flanagan -- whose recent work integrates technology and issues of identity to continue to expand the critique begun in earlier body art projects.

Embracing an exhilarating mix of methodologies and perspectives (including feminism, queer theory, philosophy, psychoanalysis, and literary theory), this rigorous and elegantexamination of body art provides rich historical insight and essential context that rethinks the parameters of postmodern culture.

 

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Contents

Carolee Schneemann Eye Body i963
2
ILLUSIRAIIONS IX
4
POSIMOOERNISM SUBJECIIVIIY ANO BOOY
21
Ana Mendieta Unntled from Silueio series i978
27
Mary Kelly Interimpart I Corpus detail from Extase i98485 28
44
IHE POLLOCKIAN PERFORMAIIVE ANO
53
Hans Namurh photograph of Jackson Pollock painting i950
64
Why Do Women Dominate
78
Vito Acconci Claimi97i
133
Vito Acconci Pomogeapht m the Classroom i975
147
Carolee Schneemann NakedAceion l2ceure i968
161
Memoirsof a Sugorgiver i97778
177
Hannah Wilke with Donald Goddard Jsme i0 i992 fMay j i992 5 from
186
OISPERSEO SUBJECIS ANO IHE OEMISE OF
197
Gary Hill InasmuchAs It Is Always Already Taking Placei990
200
Lyle Ashton Harris Consmuss i2i988
215

Shozo Shimamoto making a painting by throwing bottles
93
Vito Acconci Scedhed view under ramp i972
106
Vito Acconci Trappmgs i97i
119
VITO ACCONCI AND
120
Bob Flanagan You Always Hurt the One You Love i99i
232
NOTES
241
INOEX
331
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