Charlie Parker: His Music and Life"Whatever background you bring to it, the book willl likely enrich your understanding of Parker's music. . . ." --Cadence As one of the architects of modern jazz (often called "bebop"), Charlie Parker (1920-55) had a profound effect on American music that continues to this day. This book opens with a chapter of biography and then progresses to four chapters focusing on Charlie Parker's music by tracing his artistic evolution and major achievements as a jazz improviser. Much like a guided tour through an artist's retrospective, the book introduces readers to a sampling of Charlie Parker's most illustrative works. The musical discussions and transcribed musical examples are keyed to compact disc timings for easy location--a feature unique to this book. "The musical analysis is brilliant, particularly the pre-1945 fragments." --DownBeat ". . . debunks the stereotype that jazz musicians are unschooled and unsophisticated when it comes to music as art rather than entertainment. . . . [An] insightful and informative addition to the literature of jazz." --Calvin Wilson, Kansas City Star Carl Woideck is Instructor of Jazz History, University of Oregon. |
Contents
A Biographical Sketch | 3 |
Introduction to the Musical Chapters | 53 |
194043 | 63 |
194446 | 103 |
194749 | 131 |
195055 | 175 |
Some Final Thoughts | 219 |
A Selected Charlie Parker Discography | 225 |
Four Complete Solo Transcriptions Parkers Solo During Performance of Honey Body | 229 |
Parkers Solo During Performance of Oh Lady Be Good 1946 | 234 |
Parkers Solo During Performance of Parkers Mood Take 5 | 237 |
Parkers Solo During Performance of Just Friends 32Measure Chorus | 240 |
Notes | 243 |
References | 265 |
271 | |
Other editions - View all
Common terms and phrases
alto sax artistic ballad bassist bebop big band Billie's Bounce Bird blues Body and Soul Bop Roots Chan Parker chapter Charlie Parker chord progression chorus chromatic classical music Coleman Hawkins composition concepts creative Dial disc Dizzy Gillespie double-time early ensemble example Gene Ramey Gillespie's harmonic heroin Hines Honey & Body Honeysuckle Rose horn Howard McGhee improvisation J.ca Jay McShann jazz Kansas City later Leonard Lester Young Levin and Wilson lick listeners live recordings Max Roach McGhee measures Miles Davis modern jazz motive musicians nightclub Norman Granz Parker plays Parker recorded Parker's Mood Parker's music Parker's solo period Phil Schaap phrase pianist pieces players pop song quarter note recording session Red Rodney Reisner repertoire rhythmic Roots in Jazz Ross Russell Savoy saxophone saxophonist solo during performance song's string studio recordings style swing technique tempo tenor sax timbre tion tone trumpeter up-tempo vibrato Yardbird York