Chromophobia

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Reaktion Books, 2000 - Art - 124 pages
4 Reviews
The central argument of Chromophobia is that a chromophobic impulse - a fear of corruption or contamination through color - lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge color, either by making it the property of some "foreign body" - the oriental, the feminine, the infantile, the vulgar, or the pathological - or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic.

Chromophobia has been a cultural phenomenon since ancient Greek times; this book is concerned with forms of resistance to it. Writers have tended to look no further than the end of the nineteenth century. David Batchelor seeks to go beyond the limits of earlier studies, analyzing the motivations behind chromophobia and considering the work of writers and artists who have been prepared to look at color as a positive value. Exploring a wide range of imagery including Melville's "great white whale", Huxley's reflections on mescaline, and Le Corbusier's "journey to the East", Batchelor also discusses the use of color in Pop, Minimal, and more recent art.
 

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LibraryThing Review

User Review  - Robreads - LibraryThing

Chromophobia by David Batchelor traces the attitude in Western philosophy and aesthetics from Aristotle to contemporary art toward color, which he characterizes as one of extreme prejudice ... Read full review

Review: Chromophobia

User Review  - AML - Goodreads

A good, smart take on a pretty fusty subject. Really races along with great connections made between different art and cultural forms. Definitely comes from that postmodern school of a broad ... Read full review

Contents

Whitescapes
9
Chromophobia
21
Apocalypstick
51
Hanunoo
73
Chromophilia
97
References
113
Select Bibliography and Filmography
119
List of Illustrations
123
Acknowledgements
124
Copyright

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About the author (2000)

David Batchelor is Senior Tutor in Critical Theory at the Royal College of Art, London. He is also the author of Minimalism (1997).

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