Community, Art, and the State: Storming the Citadels

achieve age of Aquarius aims areas argued argument art forms Arts Council assumptions Baldry Report become believe Britain camera campaigns capitalism cartooning centralised centre Chapter committee community artists community arts groups community arts movement community arts practice competence concerned consciousness constraints constructed consumers consumption created creativity cultural activism cultural democracy cultural production define demand distribution dominant Don McCullin economic Edward Filene effect EP Thompson established example funding agencies goals hardback high-intensity market idea ideology images increase individual industrialised Ivan Illich kind knowledge legitimised living Lord Gibson means Mediumwave mural networks neutral notion oppressive organisation Owen Kelly paperback participate photographs pinhole cameras possible problem professional profit programme racism radical monopoly Raymond Williams recognise Regional Arts Associations relationships result revenue funding role Roy Shaw seen social society specific struggle term wider workers