Consuming Fashion: Adorning the Transnational BodyAnne Brydon, Sandra Niessen Clothing the body is one of the most complicated acts of daily existence. When a nun ponders red shoes, an architect knots his bowtie, a lesbian laces her Doc Marten's, or a nude model disrobes, each is engaging in a process of identity-making that is both intensely personal and deeply social. In an increasingly material world, negotiating dress codes is a nuanced art, informed by shifting patterns of power and authority, play and performance, as well as gender, sexuality, class, ethnicity and race. Drawing on ethnographic knowledge to connect theory and practice, authors reveal links between material culture, social and economic forces and personal performance -- from trade beads to Barbie, and from Taiwanese producer to Nike consumer -- to explain clothing choices through time and across cultures. Conventional understandings of the self, subject and society are shown to be inadequate when examining the interconnections of cultural and transnational economic systems of production and consumption that have a profound effect on human choice. Social climates in which dress accrues meaning are increasingly global climates, where women's bodies are commodified, gender categories are rigidly bound, and sweatshop labourers are slaves to boundless consumer appetite. This interdisciplinary book represents an important contribution to a fascinating and contested realm of human experience, and will be indispensable for anyone interested in the sociology, anthropology and psychology of fashion, cultural studies or the fashion industry. |
Contents
Sensible Shoes | 1 |
The Cultural and Historical Contexts of Fashion | 23 |
Transformations in the Use of Traditional Textiles | 39 |
Copyright | |
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Other editions - View all
Consuming Fashion: Adorning the Transnational Body Anne Brydon,Sandra Niessen No preview available - 1998 |
Common terms and phrases
adornment aggression ambiguous Appadurai artists associated Bajawa Barbie Bata Bata Shoe Museum beads bodily body bowtie CALIFORNIA/SANTA CRUZ Cambridge capital century China Chinese clothing codes collection colour consumer consumption context convent costume CRUZ The University cultural discourse community display Doc Marten doll dress economic ethnic example female feminine fetish Flores footwear fur trade gender global habit homosexuality identity ikat images individual Indonesian interpretive template Jiang Qin Kupang London look male manufacturing masculine Mattel meaning modern Montreal motifs Museum narrative Ngada regency Nike nude Nusa Tenggara Timur object object relations theory outfits political production qipao regional relations role sacred sadistic SANTA CRUZ sexual shoes signifier sisters social society status stiletto style symbolic Taiwan's traditional textiles University Library UNIVERSITY UNIVERSITY OF CALIFORNIA UNIVERSITY OF CALIFORNIA/SANTA University Press wearer wearing Western fashion woman women religious York



