Dalmatia and the Mediterranean: Portable Archaeology and the Poetics of Influence

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Alina Alexandra Payne
Brill, 2014 - Art - 469 pages
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Using the Braudelian concept of the Mediterranean this volume focuses on the condition of "coastal exchanges" involving the Dalmatian littoral and its Adriatic and more distant maritime network. Spalato and Ragusa intersect with Constantinople, Cairo and Spanish Naples just as Sinan, Palladio and Robert Adam cross paths in this liquid expanse. Concentrating on materiality and on the arts, architecture in particular, the authors identify portability and hybridity as characteristic of these exchanges, and tease out expected and unexpected serendipitous moments when they occurred. Focusing on translation and its instruments these essays expand the traditional concept of influence by thrusting mobility and the "hardware" of cultural transmission, its mechanisms, rather than its effects, into the foreground.

Contributors include: Doris Behrens-Abouseif, SOAS, University of London; Josko Belamaric, Institute of Art History, Split; Marzia Faietti, Uffizi, Florence; Jasenka Gudelj, University of Zagreb; Cemal Kafadar, Harvard University; Ioli Kalavrezou, Harvard University; Suzanne Marchand, State University of Louisiana; Erika Naginski, Harvard University; Gülru Necipoğlu, Harvard University; Goran Niksic, City of Split, Split; Alina Payne, Harvard University; Avinoam Shalem, Columbia University and David Young Kim, University of Pennsylvania

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About the author (2014)

Alina Payne is Alexander P. Misheff Professor of History of Art and Architecture at Harvard University. Recently she published From Ornament to Object. Genealogies of Architectural Modernism (YUP 2012) and The Telescope and the Compass. Teofilo Gallaccini and the Dialogue between Architecture and Science in the Age of Galileo (Olschki 2012). She received the Max Planck and Alexander von Humboldt Prize in the Humanities (2006)

Contributors include: Doris Behrens-Abouseif, SOAS, University of London; Josko Belamaric, Institute of Art History, Split; Marzia Faietti, Uffizi, Florence; Jasenka Gudelj, University of Zagreb; Cemal Kafadar, Harvard University; Ioli Kalavrezou, Harvard University; Suzanne Marchand, State University of Louisiana; Erika Naginski, Harvard University; Gülru Necipoğlu, Harvard University; Goran Niksic, City of Split, Split; Alina Payne, Harvard University; Avinoam Shalem, Columbia University and David Young Kim, University of Pennsylvania

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