Dark Side of the Tune: Popular Music and ViolencePresents an examination of the ways in which popular music has been deployed in association with violence, ranging from what appears to be an incidental relationship, to one in which music is explicitly applied as an instrument of violence. |
Contents
Bruce Johnson | 13 |
Music and Violence in History | 31 |
Technologized Sonority | 49 |
Music Accompanying Violence | 65 |
Music and Incitement to Violence | 95 |
Music and Arousal to Violence | 123 |
Music as Violence | 147 |
Policy | 161 |
| 195 | |
| 223 | |
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Common terms and phrases
Acoustic Ecology aggressive Ambrose anxiolytic argued arguments arousal associated audience Australian band behaviour Black Metal Brown Water Bruce Johnson causal century Chapter cited concert conflict connection between music contemporary context country music crowd cultural deployed detainees discussion effect Eminem emotional everyday example Extreme Metal fans February festival film forced forms further gangsta rap genres Guardian hearing heavy metal Ibid Jazz John July June Juslin Kahn-Harris killed killer Limp Bizkit listening literacy London loud music Manson Marilyn Manson Martin Cloonan modern moral panic Moshpit murder music and violence musicians neighbours noise pain performance play police political pop music popular music popular music studies potential prisoners radio rape Rapper record reggae relationship reported responses riot rock silence singing Sloboda SMH online social society song sonic sonority sound soundscape suicide Sun-Herald Sydney Morning Herald torture voice Walser Woodstock 99 World York