Disclosure of the Everyday: Undramatic Achievement in Narrative Film

achieved activity Alfred Hitchcock allows Andula appear aspects audience become behaviour Blonde Bordwell boredom Cavell's Chapter characterised characters cinema close-up Comedy of Remarriage Conte de printemps contrasts conveys Countess Country Priest crucial David Bordwell depiction dialogue diary discussion drama emotional emphasis everyday example expression face feelings film's frame gesture Hattori head human Ibid Igor interaction Jeanne Jeanne's kitchen Kyōto Late Spring locations looking Loves Mabel MacGuffin Max Ophüls medium shot melodramatic Míla mise en scène moments movement moves mundane narration narrative Natasha Noriko offscreen ontology opening ordinary patterns performance perspective play plot possibilities precisely relationship repetition reveal Robert Bresson routine says scenarios scepticism Scottie sense sequence Séraphita shows significance situations Smith Goes soldiers Somiya soundtrack Stanley Cavell story style suggests Tale of Springtime theatricalisation throughout the film train two-shot Umberto D understanding undramatic films viewer visual window woman women