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Manchester University Press, 2001 - Archives - 195 pages
3 Reviews
In this book, Carolyn Steedman has produced a sometimes irreverent investigation into how modern historiography has developed. Writing about the practice and writing of history, she considers the immutable, stubborn set of beliefs about the material world, past and present, inherited from the 19th century, with which modern history writing attempts to grapple. Drawing on over five years worth of her own published and unpublished writing, the author has produced a sustained argument about the way in which history writing belongs to the currents of thought shaping the modern world.

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User Review  - klai - LibraryThing

I'm not a historian, and thus not the target audience, and hence this review is highly subjective. I felt that most of the essays in this book revolved around literary-theory-type ramblings, only ... Read full review

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User Review  - Othemts - LibraryThing

Nothing like reading a bunch of children’s books and then delving into deconstructionism and a response to the writings of Derrida on archives. Or Freud. Or whatever it is that Derrida writes about ... Read full review


In the archons house
Something she called a fever Michelet Derrida and dust
The magistrates
The space of memory in an archive
To Middlemarch without benefit of archive
What a rag rug means
About ends on how the end is different from an ending
The story of the dust

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Page 188 - THE LEATHER WORKER'S MANUAL. Being a Compendium of Practical Recipes and Working Formulae for Curriers, Bootmakers, Leather Dressers, Blacking Manufacturers, Saddlers. Fancy Leather Workers. By HC STANDAOE.

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