Early Jazz: Its Roots and Musical Development, Volume 2This first volume in The History of Jazz is one of the seminal books on American jazz, ranging from the beginnings of jazz as a distinct musical style at the turn of the century to its first great flowering in the 1930s. Schuller explores the music of the great jazz soloists of the twenties--Jelly Roll Morton, Bix Beiderbecke, Bessie Smith, Louis Armstrong, and others--and the big bands and arrangers--Fletcher Henderson, Bennie Moten, and especially Duke Ellington--placing their music in the context of the other musical cultures of the twentieth century and offering analyses of many great jazz recordings. First published in 1968, it has since been translated into five languages (Italian, French, Japanese, Portuguese and Spanish). When it was published, it was the first volume of a projected two volume history of jazz through the Swing era. (Schuller died before he could write a promised third volume, on the bebop period and after.) The book takes an enthusiastic tone to its subject. A notable feature of the series is transcriptions of jazz performances, which increase its value for the musically literate. |
Contents
The Origins | 3 |
RHYTHM | 6 |
FORM | 26 |
HARMONY | 38 |
MELODY | 43 |
TIMBRE | 54 |
IMPROVISATION | 57 |
The Beginnings | 63 |
BRASS PLAYERS | 207 |
HARLEM PIANISTS | 214 |
BESSIE SMITH | 226 |
The Big Bands | 242 |
NEW YORK | 245 |
THE SOUTHWEST | 279 |
The Ellington Style Its Origins and Early Development | 318 |
INTERVIEW WITH GEORGE MORRISON | 359 |
Common terms and phrases
A. M. Jones African music arrangements band's banjo bars basic bass beat Bechet Benny Bessie Smith Bessie's blue notes brass break Bunk Johnson Chicago clarinet clarinetist classical composer composition conception cornet dance developed Dodds drum drummer Duke Ellington early jazz Ellington embellishment ensemble European Example fact flat Fletcher Henderson harmonic heard Hines Hot Five improvised influence instrumental Jabbo Jabbo Smith jazz jazz musicians Jelly Roll Morton Johnny Dodds Johnson King Oliver later lines Louis Armstrong Louis's melody Miley Miley's Morrison Moten Negro notation ODJB Oliver's orchestra original pattern performance phrase pianist piano piece pitch players playing polyphony popular ragtime recordings Redman rhythm section rhythmic riff Riverside RLP saxophone sides singers singing solo soloists song sound Stomp structure stylistic swing syncopated tempo tion tone tradition trio trombone trombonist trumpet tuba tune twenties two-bar vibrato violin vocal West End Blues York



