Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture

Front Cover
MIT Press, 1996 - History - 261 pages
0 Reviews

Fast Cars, Clean Bodies examines the crucial decade from Dien Bien Phu to the mid-1960s when France shifted rapidly from an agrarian, insular, and empire-oriented society to a decolonized, Americanized, and fully industrial one. In this analysis of a startling cultural transformation Kristin Ross finds the contradictions of the period embedded in its various commodities and cultural artifacts--automobiles, washing machines, women's magazines, film, popular fiction, even structuralism--as well as in the practices that shape, determine, and delimit their uses.

In each of the book's four chapters, a central object of mythical image is refracted across a range of discursive and material spaces: social and private, textual and cinematic, national and international. The automobile, the new cult of cleanliness in the capital and the colonies, the waning of Sartre and de Beauvoir as the couple of national attention, and the emergence of reshaped, functionalist masculinities (revolutionary, corporate, and structural) become the key elements in this prehistory of postmodernism in France.

Modernization ideology, Ross argues, offered the promise of limitless, even timeless, development. By situating the rise of "end of history" ideologies within the context of France's transition into mass culture and consumption, Ross returns the touted timelessness of modernization to history. She shows how the realist fiction and film of the period, as well as the work of social theorists such as Barthes, Lefebvre, and Morin who began at the time to conceptualize "everyday life," laid bare the disruptions and the social costs of events. And she argues that the logic of the racism prevalent in France today, focused on the figure of the immigrant worker, is itself the outcome of the French state's embrace of capitalist modernization ideology in the 1950s and 1960s.

 

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

LA BEI i E AMÉRICAINE
15
HYGIENE AND MODERNIZATION
71
COUPLES
123
NEW MEN
157
NOTES
197
SELECTED BIBLIOGRAPHY
233
SELECTED FILM оGRAPHY
251
Copyright

Other editions - View all

Common terms and phrases

References to this book

All Book Search results »

About the author (1996)

Kristin Ross is Professor of Comparative Literature at New York University. She is the author of The Emergence of Social Space: Rimbaud and the Paris Commune.

Bibliographic information