Francis Bacon and the Loss of Self

Front Cover
Reaktion Books, 1992 - Art - 208 pages
According to most of the critical commentary on Francis Bacon, the paintings by this crucially important artist are about violence, torment, fragmentation and loss. However, Ernst van Alphen argues that it is the violence done to the viewer that needs to be addressed if we are to understand how these works function.

In this provocative and highly original interpretation of Bacon's art, the author offers close readings of significant works, discussing them in relationship to theories of schizophrenia, masculinity and contemporary literature, as well as issues of representation and visuality. By looking at the paintings in intricate detail and exploring their connections within cultural theory, van Alphen brings Bacon into the context of the contemporary critical debate.

"This examination of critical reactions to Bacon is very welcome"—The Art Newspaper

From inside the book

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

Acknowledgements
7
Introduction
9
Narrative
21
Perception
59
Death
95
Bodyscapes
114
Masculinity
164
References
191
Bibliography
202
List of Illustrations
206
Copyright

Other editions - View all

Common terms and phrases

About the author (1992)

Ernst van Alphen is Assistant Professor of Comparative Literature at the University of Nijmegen.

Bibliographic information