Gothic Science Fiction 1980-2010

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Liverpool University Press, 2011 - Literary Criticism - 219 pages
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This timely book explores what might be termed 'Gothic science fiction' from 1980 to 2010. This designation may at first appear contradictory, as the Gothic's connotations of the irrational and supernatural seem to conflict with the rational foundations of science fiction. However, this collection demonstrates that the two categories in fact overlap and intersect in creatively and critically fruitful ways. Understanding texts of this period by means of this hybrid category allows a fresh examination of their engagement with the dramatic socio-economic changes - in communication technology, medical science, globalization, and global politics - that have transformed the way we live, and for which Gothic science fiction texts provide compelling narrative modes.

The essays in this collection reflect the current willingness among researchers to explore interpretations across genre, form, and discipline, as well as revealing a buoyant field of research in contemporary Gothic and science fiction studies. The collection ranges across narrative media (including literature, film, graphic novels and trading card games) and across genres, taking in horror, science fiction, the Gothic, the New Weird and more. The essays explore questions of genre, medical science, gender, biopower and capitalism, demonstrating the ways in which Gothic science fiction texts stage contemporary concerns around power, anxiety, resistance and capital.
 

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Contents

Introduction
1
Topologies of Genre Weirdness
21
Between Gothic and Science Fiction
36
Gothic Science Fiction and the Biopolitics
57
Gothic Doubles
73
neosupernaturalism and the Gothic Zombie
102
Gothic Genetics and Human Identity
116
Gender
133
Toni Morrisons Science Fiction Traces
149
The Gothic Punk Milieu in Popular narrative Fictions
168
Gothic Science Fiction in the Steampunk Graphic novel
189
Index
209
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About the author (2011)


Sara Wasson is Lecturer in Literature and Culture at Edinburgh Napier University and author of Urban Gothic of the Second World War: Dark London (Palgrave Macmillan, 2010).

Emily Alder is Lecturer in Literature at Edinburgh Napier University.

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