Ideas, obsessions, intertexts: a nonlinear approach to Russell Hoban's fiction

action actually appears aware become beginning body called castration chapter characters child comes complex course criticism dead death death drive described desire discussion dream drive elements Eurydice Eusa eventually example experience face fact father feels femininity fiction figure give hand happened head Hoban human idea interpretation Jachin-Boaz killed kind Kleinzeit language leave lion live longer look lost male means Medusa metafictional mind moment mortality mother move mystical myth narrative narrator nature never night novel object once Orpheus pattern person Pilgermann position possible present protagonists question readers reading reality reference repressed responsibility Riddley Walker Riddley's Russell Hoban seems sense sexual shows story tells things thought turn turtles woman women writes