In Recognition of William GaddisJohn Kuehl, John Richard Kuehl, Steven Moore |
Contents
The Writing of The Recognitions | 20 |
To Soar in Atonement | 46 |
Dryad in a Dead Oak Tree | 70 |
Copyright | |
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aesthetic allusions American Amy Joubert appears artist Basil Valentine Bast's becomes Camilla characters cited parenthetically clocks Confidence-Man contemporary counterfeit critics damned Das Rheingold death discourse Edward Bast Eigen Eliot Empedocles Esme essay Esther father Faust fiction finally Flemish forgery Four Quartets fragments goes Gravity's Rainbow Harcourt human J R's Jack Gibbs language later literary living look loose baroque mean modern mother narrative narrator Notes novel novelist obsession original Otto painting parody past pattern Peer Gynt Philoctetes Pivner play published Pynchon quotation reader reality Recognitions Recognitions of Clement redeemed redemption reprint Reverend Gwyon Review satire scene Schramm sense Sinisterra Solveig Spain Stanley Stephen Subsequent references suggests symbolic T. S. Eliot theme things Thomas Pynchon tion Titian tradition turn University voice Waste Land Whiteback William Gaddis words writing Wyatt Wyatt Gwyon York



