Interpreting the Musical Past: Early Music in Nineteenth-Century FranceThis study of the French early music revival gives us a vivid sense of how music's cultural meanings were contested in the nineteenth century. It surveys the main patterns of revivalist activity while also providing in-depth studies of repertories stretching from Adam de la Halle to Rameau. |
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Interpreting the Musical Past: Early Music in Nineteenth-Century France Katharine Ellis Limited preview - 2005 |
Interpreting the Musical Past: Early Music in Nineteenth Century France Katharine Ellis No preview available - 2008 |
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amateur April artistic audience Bach Bach’s Baroque Bellaigue Bibliothèque Bordes Bourgault-Ducoudray c’est Castor et Pollux Catholic century chanson chanson populaire chant choir choral music Choron church classique Comédie-Française composer’s composers concert historique Conservatoire Couperin critic culture D’Indy d’une Diémer early music Ecole Niedermeyer edition Fétis Fétis’s France France’s Franco-Flemish French French music French opera fugue genre Goudimel Guilmant Handel harpsichord included Italian Janequin Josquin journal Julien Tiersot l’art Lafage Lamoureux’s Lassus liturgical Louis Diémer Lully Lully’s maîtrise Mass melody Mén Méreaux Michaëlis Molière Moskova motets musicale musicians musique française musique religieuse nationalist Niedermeyer nineteenth-century numbers Opéra opéra-comique oratorio organist orphéon Palestrina Palestrinian music Paris performance pianists piano pieces played polyphony popular Pougin programs published qu’il Rameau Renaissance repertory Republican revival Revue sacred music Saint-Gervais Schola Cantorum secular Société des Concerts society society’s St Matthew Passion stage music style Tiersot tion tradition Ultramontane Wagner Weckerlin