Last Train to Hilversum: A journey in search of the magic of radio

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Bloomsbury Publishing, Jan 24, 2019 - Performing Arts - 336 pages
Despite the all-pervading influence of television ninety per cent of people in Britain still listen to the radio, clocking up over a billion hours of listening between us every week. It's a background to all our lives: we wake up to our clock radios, we have the radio on in the kitchen as we make the tea, it's on at our workplaces and in our cars. From Listen With Mother to the illicit thrill of tuning into pirate stations like Radio Caroline; from receiving a musical education from John Peel or having our imagination unlocked by Douglas Adams' The Hitchhiker's Guide to the Galaxy; from school-free summers played out against a soundtrack of Radio One and Test Match Special to more grown-up soundtracks of the Today programme on Radio 4 and the solemn, rhythmic intonation of the shipping forecast – in many ways, our lives can be measured in kilohertz.

Yet radio is changing because the way we listen to the radio is changing. Last year the number of digital listeners at home exceeded the number of analogue listeners for the first time, meaning the pop and crackle and the age of stumbling upon something by chance is coming to an end. There will soon be no dial to turn, no in-between spaces on the waveband for washes of static, mysterious beeps and faint, distant voices. The mystery will be gone: we'll always know exactly what it is we're listening to, whether it's via scrolling LCD on our digital radios, the box at the bottom of our TV screen or because we've gone in search of a particular streaming station.

And so, as the world of analogue listening fades, Charlie Connelly takes stock of the history of radio and its place in our lives as one of the very few genuinely shared national experiences. He explores its geniuses, crackpots and charlatans who got us to where we are today, and remembers its voices, personalities and programmes that helped to form who we are as individuals and as a nation. He visits the key radio locations from history, and looks at its vital role over the past century on both national and local levels.

Part nostalgic eulogy, part social history, part travelogue, Last Train To Hilversum is Connelly's love letter to radio, exploring our relationship with the medium from its earliest days to the present in an attempt to recreate and revisit the world he entered on his childhood evenings on the dial as he set out on the radio journey of a lifetime.
 

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Contents

We Are All Radio People
a Radio Life
the Electrophone Story
an Afternoon with Corrie Corfield Part
the World of the Shipping Forecast
an Afternoon with Corrie Corfield Part
Guglielmo Marconi in Dorset
the Chelmsford Broadcast
Spending the Night with Dotun Adebayo
the Lost World of the Radio
Leonard Plugge and the Birth of Independent Radio
Two Lochs Radio Britains Smallest Commercial Station
Ronald Knox and the Red Panic of 1926
Arthur Mathews in the Comic Ether
Clapham and Dwyers Moral Panic
the Fleets Lit Up and So

the Birth of British Broadcasting
Looking for Lord Reith
the Ballad of Sheila Borrett
Charlotte Green Reads the Football Results
the First Commentator
the Greatest Commentator
Jessie Brandon Pirate Queen
Revisiting the Cello and the Nightingale
Listening Out at Rampisham Down
Further Reading
Copyright

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About the author (2019)

Charlie Connelly is a bestselling author, award-winning broadcaster and popular public speaker. Three of his books have featured as Radio 4's Book of the Week. He has written for most of the UK and Irish national newspapers and a range of magazines from The Oldie to Outdoor Fitness, as well as comedy scripts for BBC radio and RTÉ radio in Ireland and documentaries for BBC Radio 4 on subjects as diverse as the poetry of Noel Coward and the legendary cricket coach Alf Gover.

The audio version of his bestselling Attention All Shipping came second in a public vote to find the greatest audiobook of all time organised by Waterstone's and the Guardian. Romeo and Juliet was third, which Charlie takes as official confirmation that he's better than Shakespeare.

@charlieconnelly

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