Looking at the Overlooked: Four Essays on Still Life Painting
In this, the only up-to-date critical work on still life painting in any language, Norman Bryson analyzes the origins, history and logic of 'still life', one of the most enduring forms of Western painting. The first essay is devoted to Roman wall-painting while in the second the author surveys a major segment in the history of still life, from seventeenth-century Spanish painting to Cubism. The third essay tackles the controversial field of seventeenth-century Dutch still life. Bryson concludes in the final essay that the persisting tendency to downgrade the genre of still life is profoundly rooted in the historical oppression of women.
In Looking at the Overlooked, Norman Bryson is at his most brilliant to date. These superbly written essays will stimulate us to look at the entire tradition of still life with new and critical eyes.
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abundance actual Aertsen aesthetic affluence Anne Vallayer-Coster art history Basket of Fruit Beuckelaer Boscoreale Boscotrecase bowl Brueghel's Campanian Caravaggio century Cezanne Chardin Christ Claesz composition Cotan and Zurbaran creatural cubiculum culture depicted Diego Velazquez discourse display domestic space Dutch exactly existence fiction flower paintings forms Francisco de Zurbaran genre grapes guest history painting household human idea illus interior Jan Steen Joachim Beuckelaer Juan Gris Juan Sanchez Cotan Kalf Kalf's labour look low-plane reality luxury male masculine material megalography Metropolitan Museum Musee Museo Museum of Art narrative nature Netherlands objects oil on canvas painter painting's Parrhasios Philostratus picture Pieter Pieter Aertsen Pompeii produce representation rhopography Roman routine scene sense simulation social style takes theatre things tion Trimalchio trompe l'oeil vanitas viewer villa at Boscoreale vision visual field wall painting wealth Willem Willem Kalf women xenia Zeuxis