Making Movies Black: The Hollywood Message Movie from World War II to the Civil Rights EraThis is the second volume of Thomas Cripps's definitive history of African-Americans in Hollywood. It covers the period from World War II through the civil rights movement of the 1960s, examining this period through the prism of popular culture. Making Movies Black shows how movies anticipated and helped form America's changing ideas about race. Cripps contends that from the liberal rhetoric of the war years--marked as it was by the propaganda catchwords brotherhood and tolerance--came movies that defined a new African-American presence both in film and in American society at large. He argues that the war years, more than any previous era, gave African-American activists access to centers of cultural influence and power in both Washington and Hollywood. Among the results were an expanded black imagery on the screen during the war--in combat movies such as Bataan, Crash Dive, and Sahara; musicals such as Stormy Weather and Cabin in the Sky; and government propaganda films such as The Negro Soldier and Wings for this Man (narrated by Ronald Reagan!). After the war, the ideologies of both black activism and integrationism persisted, resulting in the 'message movie' era of Pinky, Home of the Brave, and No Way Out, a form of racial politics that anticipated the goals of the Civil Rights Movement. Delving into previously inaccessible records of major Hollywood studios, among them Warner Bros., RKO, and 20th Century-Fox, as well as records of the Office of War Information in the National Archives, and records of the NAACP, and interviews with survivors of the era, Cripps reveals the struggle of both lesser known black filmmakers like Carlton Moss and major figures such as Sidney Poitier. More than a narrative history, Making Movies Black reaches beyond the screen itself with sixty photographs, many never before published, which illustrate the mood of the time. Revealing the social impact of the classical Hollywood film, Making Movies Black is the perfect book for those interested in the changing racial climate in post-World War II American life. |
Contents
| 3 | |
| 35 | |
| 64 | |
| 102 | |
The End of Race Movies | 126 |
6 Documentary Film Culture and Postwar Liberal Momentum | 151 |
7 Thermidor | 174 |
8 A Pot of Message | 215 |
9 Settling In Settling For | 250 |
Abbreviations | 295 |
Notes | 299 |
Index | 370 |
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Making Movies Black: The Hollywood Message Movie from World War II to the ... Thomas Cripps No preview available - 1993 |
Common terms and phrases
activists African Americans angle April army audiences B-movie Belafonte biopic black actors black press black soldier Booker Breen Canada Lee censors Cinema civilian clipping colored conscience-liberalism copy CPUSA Cripps critics DeRochemont Disney documentary Dore Schary DOS-TX draft Ebony film culture filmmakers genre Harlem hero Hollywood Howard HUAC interracial Jack Warner Jewish John Johnson July June Lena Horne liberal March Mellett memo message movies moguls Motion Picture NA-DC NA-MD NAACP Negro Soldier NR-LC Oscar papers PCA-AMPAS Pinky played Poitier Polonsky postwar Poynter praised propaganda quoted race movies racial politics racism release reported Review role Roy Wilkins Schary screen script seemed Selznick Sept Sidney Poitier social South Southern star Stepin Fetchit story studio telephone interview Theatre tion Truman Gibson viewers Walter White Warner Bros wartime Washington WBA-USC William writer wrote York Zanuck
Popular passages
Page 89 - Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me; I lift my lamp beside the golden door.
Page 299 - Noel Carroll, Mystifying Movies: Fads and Fallacies in Contemporary Film Theory (New York: Columbia University Press, 1988); David Bordwell, Making Meaning: Inference and Rhetoric in the Interpretation of the Cinema (Cambridge: Harvard University Press, 1989).
Page 3 - In our picture, I think we have to be awfully careful that the Negroes come out decidedly on the right side of the ledger...
Page xiv - I am extremely grateful as well for fellowships from the National Endowment for the Humanities, the American Philosophical Society, and the Virginia Foundation for the Humanities and Public Policy.
Page 303 - Richard Harwell (ed.), Margaret Mitchell's "Gone With the Wind" Letters, 1936-1949 (New York: Macmillan, 1976), p.
Page 44 - I ought to have a tiny bit of influence right now — I don't know how long it will last — with the motion picture people. Let's go out to Hollywood and talk with the more intelligent people in the industry to see what can be done to change this situation."46 Wendell Willkie and Walter White met again in Hollywood during 1942 when Mr.
Page 303 - AMERICAN COUNCIL ON EDUCATION. Committee on Motion Pictures in Education. Selected Educational Motion Pictures: a Descriptive Encyclopedia. Washington, DC: the Council, 1942. 372 p. 6. AMERICAN JOURNAL OF SOCIOLOGY. "Higher Degrees in Sociology Conferred in 1942, 1943, 1944.


