Music Research: New Directions for a New CenturyMichael Ewans, Rosalind Halton, John A. Phillips This book compiles revised versions of a number of the papers originally delivered at the Twenty-Fifth National Conference of the Musicological Society of Australia, held in Newcastle, New South Wales, between 3 and 6 October 2002. Aside from the three keynote addresses, all the papers published here have been refereed and peer reviewed. Like this publication, the conference was entitled â oeMusic Research: new directions for a new centuryâ . Papers were invited under four main themes: Research through Performance, Music and Society, Music and Technology, and Structure and Context. The three keynote speakers addressed the first three of these, Roy Howat and Suzanne Cusick approaching from different perspectives, respectively, the relationship between performance and research, and the relationship of both to music in society, while Rolf Gehlhaar discussed the many ways in which music can now interface with technology. List of Contributors Roy Howat, Marie-Louise CAtsalis, Rosalind Halton, Prudence Dunstone, Jacqueline Ogeil, Daniela Kaleva, Alan Maddox, Ikuno Sako, Johanna Selleck, Patricia Duke, Frank Murphy, John Napier, Suzan Cusick, Katelyn Barney, Elizabeth Mackinlay, Steven Knopoff, Brydie-Leigh Bartleet, Tim Humphrey, Roland Bannister, Antonio â ~Tonyâ (TM) Colla, Antonio Comin, Gabriela Vardanega, Linda Kouvaras, Jason Geary, David Irving, Anne-Marie Forbes, Peter Freeman, Julia Lu, Deborah Priest, Patricia Shaw, Jennifer Shaw, Rolf Gelhaar, Cathy Cox, Eddy Chong, Ruth Lee Martin, Dennis Collins, Nicholas Routley, Andrew Robbie, Jason Stoessel, John Phillips. |
Contents
Concerto K 595 finale piano part | 6 |
First Quintet Op 89 mm 13 Schirmer 1907 | 12 |
Hor che laurato nume excerpt | 21 |
NIGHT AND DREAMS | 27 |
Hor che di Febo aria 1 Cara notte mm 114 | 30 |
Notte cara aria 1 | 37 |
ITALIAN VOCAL MUSIC IN THE EARLY NINETEENTH CENTURY | 40 |
Otello | 47 |
CANTI DI NONNO TONY SIGNOR | 206 |
WHEN THE STRING SNAPS | 216 |
Suburban Relapse | 218 |
DAVID IRVING | 242 |
A VENETIAN FESTAL GLORIA | 253 |
ANTÔNIO CARLOS JOBIM | 264 |
Prelude in E minor Op 28 no 4 mm 17 | 273 |
THE PRIX DE ROME COMPETITION | 277 |
QUESTIONS OF TEMPERAMENT IN THE SONATAS OF DOMENICO SCARLATTI | 54 |
Sonata in E minor K394 mm 7683 | 59 |
Don Giovanni recitative In quail eccessi O Numi | 73 |
LOUIS NIEDERMEYER AND EARLY MUSIC REVIVAL IN NINETEENTH | 84 |
Patricia Duke | 104 |
RED NICHOLS | 114 |
Rockin Chair chorus short score | 121 |
TRADITIONAL FAKINGS | 125 |
REPOSITIONING MUSIC ANALYSIS | 156 |
THE PEDAGOGICAL AS PERFORMATIVE | 166 |
INTRUSIONS AND DELUSIONS | 177 |
FROM COFFEE HOUSES TO EXECUTIVE SUITES | 187 |
REGIMENT IN VIETNAM | 196 |
LOUIS LALOY 18741944 | 287 |
LA CLARTÉ FRANÇAISE | 294 |
Die eiserne Brigade piano cadenza U629 | 306 |
1 A comparison of sonataform readings for Ravels Sonatine | 349 |
5 Schenkerian analysis of Ravels Sonatine first movement | 356 |
The Furies Graphic reduction of the harmonic | 363 |
Benedictus from Missa Già fu | 374 |
A FIFTEENTH | 384 |
5 | 391 |
VIENNESE CENTURY | 396 |
I 209 | 399 |



