Music and Modern ArtJames Leggio This volume is an interdisciplinary study of music and modern art. It shows how modern painters have borrowed ideas from music, just as modern composers have learned from paintings. The focus throughout is on the ways that painters and composers, respectively, have taken a "foreign" artistic medium and made use of it in their own creative work. When, for instance, Piet Mondrian painted a geometric abstraction that aimed to reenact the steps of the fox-trot, or when Morton Feldman intended his instrumental pieces to be "time canvasses," each of them was striving to identify a quality intrinsic to his own art form, unique to his own materials, and yet which nonetheless manifested itself as a striking parallel with the technical functioning of the other art. It is this elusive kind of parallelism--this rich, cross-disciplinary process of mutual inspiration--that the present volume tries to pin down, in a variety of creative media and artistic movements. The historical figures examined are diverse. The musicians range from Alexander Scriabin to the jazz bandleader Paul Whiteman, and from Arnold Schoenberg to Edgard Varèse to Morton Feldman, while including as well a late nineteenth-century look back at Franz Schubert. Among the visual arts treated here, painting predominates, from Pierre-Auguste Renoir's impressionism and Gustav Klimt's Viennese decorative schemes, to Vasily Kandinsky's and Piet Mondrian's abstractions, and to abstract expressionism. Attention is also given to American film as well as to the esoteric form of the theatrical light show. Taken as a whole, this volume provides the reader with a wide-ranging yet satisfyingly specific set of introductions to the interdisciplinary study of music and modern art, opening up many fruitful lines of further inquiry. |
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abstract Adorno aesthetic African African-American Alma Altenberg Anxiety of Art Arensberg Arnold Schoenberg artists associated avant-garde blue boogie canvas circle Collected Writings color organ color-music composer composer's composition concept contemporary creative culture Dada Dadaist dance Douglas Edgard Varèse essay Esterházy example exhibition figure Filles au piano fin-de-siècle fox-trot Francis Picabia Franz Schubert French girls grid Gustav Klimt Ibid Jeunes Filles Kandinsky Kandinsky's King of Jazz light Line to Plane Louise Varèse Marcel Duchamp Modern Art modernist Morton Feldman movement Museum musician NANL Negro Neo-Plasticism notation notes painter painting Paris performance piano Picabia pictorial Piet Mondrian played poem Point and Line popular Prometheus relationship Renoir's rhythm Russian Sabaneyev Schubert am Klavier Schubert-Ausstellung Scriabin Song sound Symphony syncopation tensions Theory of Harmony tion tonality trans translation Tzara University Press Varèse Varèse's Vasily Kandinsky Vienna Viennese visual arts Whiteman Wiener woman Writings on Art wrote