Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-century Culture

aesthetic analysis artist attitudes audience become behavior beliefs causation century chap communication complex composers compositional redundancy concepts consequences contemporary created culture depends discovery Electronic Music emphasize Ernst Krenek existence experimental music fact formal functional fundamental future goals hierarchic level hierarchic structure human ideology idiom implications important individual information theory instance involved learned less listener literature materials means melodic Milton Babbitt modes musical event musical style nature necessarily norms novelty organization painting parameters of sound paraphrase past patterns perceive perception perhaps Pierre Boulez pitch pluralism Pop art possible precompositional predictable present probability problems progress psychological radical relationships relevant seems sense serial music significance social stasis statistical style change stylistic Susan Sontag syntactical syntax T. S. Eliot teleological tend tendency theme theory tonal music tone row tones total serialism traditional transcendentalist twelve-tone uncertainty understanding Western writes