Nineteenth-century British Music Studies, Volume 2

Abbey anthems appears artists bars Beethoven Bridges British Cathedral chant Chapter Charles Charles Villiers Stanford choir choral Christ Church Church collection completed composer composition concert continued copy critics described Dublin earlier early edition effect England English example expression final flat George give harmony Henry History Hopkins idea interest Irish John late later Letters Library lines London major March Mendelssohn minor movement Mozart musicians nineteenth century opera organ Organist original Oxford painting Parry particular performance period pianist piano pieces playing poem poetry practice present Press programme Psalm published Reading Record reference Review Robert Rose Royal score seems Selected Shamus singing Society solo song soprano Stanford style suggested Symphony theme Thomas Tradition tunes University Variations verse vocal voice World writing written