Horace otiosiores

Front Cover
Centaur P., 1969 - 360 pages
Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: ing and trembling. It is indescribable what 1 felt while I was engaged in this work; so that I spent upwards of two hours about it. I then lay down for a little repose, a'nd when 1 awaked my mind was so full of peace and comfort that I could most heartily thank the Lord for his powerful aid, which he had granted to mean unworthy creature. 192. The Plague. Antes has aome remarks upon the plague which are well worthy the consideration of philosophical physicians. It always eeascs in Egypt when the weather becomes very hot; and extreme heat eradicates it more certainly at Cairo, than cold abates it at Constantinople. They are always (he says) pretty sure when the plague will cease, for it seldom remains after the 24th of June; this has given occasion to the following superstitious notions, not among the Turks only, but particularly among the Cophtic Chris- tians. They say, and firmly believe, that angels are sent by God to strike those people who are intended;is a sacrifice. All those who receive the stroke must inevitably die, but those tiiat receive the infection through tear only escape or recover. W hen they f'tel themselves infected, they say, anna mattub- bel cuppa which signifies, am struck, or smitten, by the plague. As the I7tli of June, according to the Cophts, is the festival of the Archangel Michael, on which day he lets a drop of water of such a fermenting quality fall into the river, as occasions its overflowings; they say that, at the same time, he, as the chief of all the other angels, orders ail those occupied in striking the people to retire. The Cophts add, that if any of them should still lurk about in the dark alter that day, they must absolutely fly before St John on the 24th of June A thinking mind, though it acknowledges t'he band of God in ev...

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Contents

CONTENTS Coleridges contributions to Omniana are asterisked in this list of contents Page Introduction by Robert Gittings
13
Note on Thomas Ashes edition of 1884
21
Mirrors
25
Copyright

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About the author (1969)

Robert Southey was born on August 12, 1774. In 1788, Southey entered the Westminster school at the expense of his uncle. One year after his admission to Westminster, the French Revolution began. Southey was fifteen years old at the time, and like many young people of his day, he passionately sympathized with the high ideals of the French cause. During these years, Southey befriended both Charles W. W. Wynn and Grosvenor Charles Bedford. Bedford and Wynn began a publication in 1792, The Flagellant, which Southey later joined as writer and co-editor. He submitted an anonymous article on "Flogging," in which he claimed that the school's disciplinary practice of flogging students was satanic. Dr. Vincent, the headmaster at the school, viewed the essay not as the product of a boy's imagination, but as a direct attack on both the school and the British Constitution. Eventually, Southey came forward and offered his apology, but was nonetheless expelled from school. Southey was of course then refused admission at Christ Church and had to attend Balliol College at Oxford. In order to escape life at Oxford and postpone making his decision to join the clergy, Southey took some time off from school in the autumn of 1793. Southey eventually left Oxford after his second term to be married. Shortly after leaving, he crossed paths with Samuel Taylor Coleridge, with whom he formed a friendship which would mold his early life and continue until his later years. In 1794, Southey, Coleridge, and several mutual friends came up with the idea of "Pantisocracy," or "equal rule of all." Their goal was to emigrate to America to practice Pantisocracy by forming a communal, utopian settlement where everyone would live in harmony and brotherhood. In order to raise money for this, Southey and Coleridge joined to write drama and political propaganda, and to write and deliver weekly lectures on politics and history. At this time, they co-wrote the drama entitled "The Fall of Robespierre," which was published by a radical printer at Cambridge under Coleridge's name. This same year Southey wrote Wat Tyler, based on the Peasant's Revolt of 1381. Unfortunately, Wat Tyler was not published, the scheme to emigrate to America to practice "Pantisocracy" never came to fruition, and his friendship with Coleridge became increasingly strained. The relationship deteriorated further when Coleridge and his wife began having marital difficulties. Coleridge eventually left his wife and Southey was forced to support both families. Southey then accepted Charles Wynn's offer to set up an annuity for him if he would study law. Southey began to study law by day and write poetry and prose at night. He drifted entirely away from his legal studies and began to concentrate solely on his writing. Between 1796 and 1805 Southey wrote Joan of Arc: An Epic Poem, Thalaba the Destroyer, Madoc, and several volumes of shorter verse. He also wrote numerous ballads, made frequent contributions to The Monthly Magazine and published the popular Letters Written During a Short Residence in Spain and Portugal. After several years of estrangement from Coleridge, the two poets collaborated on the Devil's Walk in 1799. Although Southey remained a champion of the poor and became an outspoken adversary of slavery, he began to cherish the maintenance of social order. After becoming an outspoken member of the Tory party, Southey's changing views led him to accept a position as Britain's Poet Laureate in 1813, a position that he held for 30 years. Twenty-three years after Wat Tyler was written, it suddenly resurfaced into a highly charged political atmosphere in which an older, more conservative Southey was at the forefront. Upon learning that Southey was the author, his adversaries, such as William Hazlitt and William Smith, seized upon the play as an example of his hypocrisy, while his friends, Wynn, Coleridge, and Wordsworth, defended him vehemently. Despite the effects of Wat Tyler's appearance on Southey's reputation, it sold over 60,000 copies and was reprinted, making it one of his most well-read and commercially successful works. Southey eventually incorporated the play into his complete works in 1838. Although the reappearance of the poem forced Southey to confront the dissipation of his youthful ideals, it did not significantly affect his career as an esteemed poet and writer. Southey remained Poet Laureate of Britain for 30 years, and eventually died in 1843.

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