Leon Battista Alberti O Painting

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Yale University Press, 1966 - Art - 141 pages
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Alberti's Della Pittura was the first modern analytical study of painting, a pioneering treatise on the theory of art. A systematic description of the one-point perspective construction, it was primarily designed to persuade both patron and painter in the Renaissance to discard the old tastes in painting for the new. In his prologue, Alberti states that his work consists of three books: 'the first, all mathematics, concerning the roots in nature which are the source of this delightful and most noble art. The second book puts the art in the hand of the artist, distinguishing its parts and demonstrating all. The third introduces the artist to the means and the end, the ability and desire of acquiring perfect skill and knowledge in painting.'
 

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Contents

PREFACE
7
SOURCES
33
BOOK TWO
63
BOOK THREE
89
INDEX
137
Copyright

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About the author (1966)

Leon Battista Alberti was born in Genoa, Italy, on February 18, 1404. His father was a major figure in the Florentine political world, and Alberti received a quality education. He studied Latin in Padua and completed his formal training at the University of Bologna, where he received a doctorate in canon law in 1428. In 1432, as a secretary in the Papal Chancery in Rome, Alberti became acquainted with Tommaso Parentucelli who was later elected Pope Nicholas V. Alberti worked for the Pope, studying law cases for seven years. In 1447, he became the Pope's architectural advisor, and upon studying the work of Vitruvius, wrote De Re Aerdificatoria (Ten Books on Architecture) in 1452. Alberti was a major Humanist figure in the Italian Renaissance. He wrote dialogues, plays, poems, and philosophical books that were widely influential. During the last years of his life, Alberti put many of his architectural ideas into practice and wrote De Iciarchia (On the Man of Excellence and Ruler of His Family). Albert died in 1472 at the age of 68.

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