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THE CRITIQUE OF FORMALISM
THE ORGANIC THEORY
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A. C. Bradley abstract abstract art accept aesthetic experience aesthetic theory aestheticians analysis appreciation of art art object assertions attitude basic believe Bell and Fry Bell's C. I. Lewis chap character characteristics Cleanth Brooks Clive Bell communication complex conception constituents contemplation criticism Cubism depth meanings Desdemona desire doctrine dramatic Ducasse Ducasse's Eliot Emilia emotionalist evaluation example expressive qualities fact Fascism feelings form and content form-content distinction formalism Fry's function Hanslick heteronomous human experience I. A. Richards Ibid iconic ideas imaginative indulgence interpret italics in original John Hospers kind language line and color literature medium modern motion picture nature novel ordinary organic theory painting Parker philosophy plastic elements poem poetry problem Prufrock psychological pure purism question rejected relation representation Roger Fry satisfaction semantical sense significant form specific spectator symbolic art T. S. Eliot theme theory of appreciation thing tion transparent symbol values whole