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The Body and the Play within the Play
The Body as an Indicator of Health and Disease
Why is Shame on the Skin?
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14 stringed dutar 2nd finger action affect programme anatomical anthropology associated behaviour Benesh Movement Notation biological bodily body manipulators body movement classification communication complex context culture Cuzco dance death described destructive magic disease display rules Dogon dutar players Ekman elicitor emblems emotion evidence example experience facial expression fear feel frets Friesen function girls Gnau Herati illustrators important Indian instrument interaction involved Johannesburg Kinesics langgasutap language London lst finger machismo marime masturbation Mbwela means ment minmin mode motor movement patterns mukanda nonverbal nonverbal communication notation novices Nuaulu Nyakyusa observed occur organization parand Paul Ekman performance person phosphenes physical pipil plectrum position prostitute rebab refer relation relationship response rhythm right hand ritual shame situation social Social Anthropology society somatic sorcery spatial specific spermatorrhoea structure symbolic sympathetic strings technique tion trance tutanga types University VAVA village vitsa woman women