The Art of Childhood and Adolescence: The Construction of MeaningThe Art of Childhood and Adolescence is composed of completely new research on the development of representational thinking from infancy through to adolescence. It makes an important contribution to the theory of children's development and to practitioners' understanding, as well as suggesting new paths of inquiry. The book draws on highly detailed longitudinal studies, conducted over 24 years (20 in London and 4 in Singapore). Line drawings and photographs are used to illustrate important concepts. Matthews, highly respected internationally, also sheds light on current debates, such as the opposition of culturally specific and universal development in children the world over. |
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Contents
The Genesis of Expressive | 1 |
Perception of Shape | 14 |
Third Generation Structure | 27 |
Shape Is Action Action Is Shape | 41 |
Dynamical Systems in the Art of Young Children | 49 |
Closed Shape | 55 |
Conclusion | 61 |
The Discovery of the Invisible | 67 |
The Deconstruction of Time | 97 |
Different Types of Information | 109 |
Interaction and Provision | 117 |
Imaginary Views | 125 |
Planes Cubes Cones Hemispheres and Spheres | 132 |
Conclusion | 140 |
The Construction of the Viewer | 152 |
Representation and Human Freedom | 155 |
Other editions - View all
The Art of Childhood and Adolescence: The Construction of Meaning John Matthews Limited preview - 1999 |
The Art of Childhood and Adolescence: The Construction of Meaning John Matthews Limited preview - 2003 |
The Art of Childhood and Adolescence: The Construction of Meaning John Matthews Limited preview - 2003 |
Common terms and phrases
actions adult appear aspects attachment axes axis become beginnings Ben's body changes Chapter child closed shape closure combined complex conceptual concerned configurative consider construction continuous contours coordinate depth derived described differentiate dimensions direction drawing surface dynamic earlier early edges effects environment example experience expressive face Figure fire forms further going hand Hannah head horizontal human ideas images imagined important infant initially inside interaction interesting involved Joel kind later legs linear look marking Matthews meaning modes months move movement nature object-centred objects observation occluding occur painting parallel perhaps physical picture plane play position possible produced projective relations relationship represent representation result rotational says scene seems seen side single sometimes space structure studies suggest thinking tion transformations trying understanding variation vertical visual whilst young children