The First Five Pages: A Writer's Guide to Staying Out of the Rejection PileWhether you are a novice writer or a veteran who has already had your work published, rejection is often a frustrating reality. Literary agents and editors receive and reject hundreds of manuscripts each month. While it's the job of these publishing professionals to be discriminating, it's the job of the writer to produce a manuscript that immediately stands out among the vast competition. And those outstanding qualities, says New York literary agent Noah Lukeman, have to be apparent from the first five pages. The First Five Pages: A Writer's Guide to Staying Out of the Rejection Pile reveals the necessary elements of good writing, whether it be fiction, nonfiction, journalism, or poetry, and points out errors to be avoided, such as: - A weak opening hook - Overuse of adjectives and adverbs - Flat or forced metaphors or similes - Undeveloped characterizations and lifeless settings - Uneven pacing and lack of progression With exercises at the end of each chapter, this invaluable reference will allow novelists, journalists, poets, and screenwriters alike to improve their technique as they learn to eliminate even the most subtle mistakes that are cause for rejection. The First Five Pages will help writers at every stage take their art to a higher - and more successful - level. |
Other editions - View all
The First Five Pages: A Writer's Guide to Staying Out of the Rejection Pile Noah Lukeman Limited preview - 2005 |
The First Five Pages: A Writer's Guide to Staying Out of the Rejection Pile Noah Lukeman Limited preview - 2010 |
The First Five Pages: A Writer'S Guide To Staying Out of the Rejection P Noah Lukeman Limited preview - 2010 |
Common terms and phrases
adjectives and adverbs adjectives or adverbs agent or editor Agents and editors alliteration artistic become begin chapter character description character's clichéd comma commonplace dialogue comparison convey Dave describe dramatic E. B. White Elements of Style End-of-Chapter Exercises evaluate everything example feel five pages focus happening hard head Here's hook idea identifiers instance John laser printers least lines of dialogue look manuscript MARTIN AMIS Mary Moby-Dick never Notes from Underground novel Okay opening pacing and progression paragraph plot problem prose publishing reader rejected remember rewrite screenwriters sentence setting slow Solutions sound Stephen King stock character stop story style stylistic switch tangents tell tences things tone unusual verbs viewpoint and narration viewpoint character walked what's William Strunk words writer Yeah yelled you’ll


