The Glenn Gould Reader |
Contents
William Byrd and Orlando Gibbons | 11 |
The Goldberg Variations | 22 |
Bodky on Bach | 28 |
Copyright | |
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achieved aesthetic Anton Webern Arnold Schoenberg artist Bach Bach's baroque bass Beethoven Boulez century chord chromatic composer composition contrapuntal course creative dissonance documentary early electronic example experience fact fugal fugue Glenn Gould harmonic High Fidelity Hindemith idea inevitable instrument keyboard Krenek later least less listener Mahler major melodic ment minor motivic movement Mozart musicians never North occasion orchestra Orlando Gibbons Payzant performance perhaps pianist Piano Concerto Piano Sonata piece play problem produce Quartet radio realize recording relation repertoire rhythmic Richard Strauss romantic Russian SAN DIEGO score seems sense sequence Sibelius simply sion solo songs sort sound Soviet splice Stokowski Streisand string structure studio style suggest sure Symphony technique tempo texture thematic theme thing tion tonal tone tone row Tony Hatch Toronto tradition twelve-tone twelve-tone technique variation voice Webern Well-Tempered Clavier words writing