The Reception of Robert Burns in Europe

Front Cover
Murray Pittock
A&C Black, Jun 19, 2014 - Literary Criticism - 416 pages
Robert Burns (1759 –1796), Scotland's national poet and pioneer of the Romantic Movement, has been hugely influential across Europe and indeed throughout the world. Burns has been translated seven times as often as Byron, with 21 Norwegian translations alone recorded since 1990; he was translated into German before the end of his short life, and was of key importance in the vernacular politics of central and Eastern Europe in the nineteenth century. This collection of essays by leading international scholars and translators traces the cultural impact of Burns' work across Europe and includes bibliographies of major translations of his work in each country covered, as well as a publication history and timeline of his reception on the continent.
 

Contents

Series Editors Preface
ix
Acknowledgements
xv
List of Contributors
xvii
Abbreviations
xxi
Timeline of the European Reception of Robert Burns 17952012
xxiii
The mair they talk Im kend the better Burns and Europe
1
Robert Burns in Germany
9
2 GermanLanguage Reception of Robert Burns in Austria
33
7 The Reception of Robert Burns in Russia
155
8 The Reception of Robert Burns in Ukrainian Culture
179
Burns and popular poetry in Nineteenthcentury Hungary
195
Constructing National Identity?
227
11 The Reception of Robert Burns in Poland
235
12 Robert Burnss Reception in Slovenia
249
A Man of Opposition
257
14 The Reception of Robert Burns in Music
267

3 The Reception of Robert Burns in Switzerland
55
The Critical Reception of Robert Burns in France
67
A Century of Robert Burns in Italy 18691972
115
6 Robert Burns and Spanish Letters
143
Bibliography
291
Index
341
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About the author (2014)

Murray Pittock is Bradley Professor of English Literature at the University of Glasgow, a Fellow of the Royal Society of Edinburgh, and a prizewinner of that society and of the British Academy, as well as winning or being nominated or shortlisted for over ten other literary prizes. He is the author or editor of a number of prominent works on Jacobitism and Romanticism, including Scottish and Irish Romanticism (2008, 2011), Robert Burns in Global Culture (2011) and Material Culture and Sedition: Treacherous, Objects, Secret Places (2013). He is currently editing the Scots Musical Museum in the AHRC Collected Burns edition.