The Sadeian Woman: An Exercise in Cultural History

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Penguin Books, 2001 - Fiction - 154 pages
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Draws on de Sade's embodiments of women's two roles, Justine and Juliette, and on more contemporary models to argue that sexuality is a mode of power politics as well as a vital way to advance relationships admitting of neither conqueror nor conquered. Reprint.

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Review: The Sadeian Woman: And the Ideology of Pornography

User Review  - Liz - Goodreads

I need to read this again. I do love the way Carter can write on such a topic--rather than academy-speak, her language remains round and volumptious as in her novels. Read full review

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About the author (2001)

A powerful and disturbing writer, Angela Carter created haunting fiction about travelers surviving their passage through a disintegrating universe. Often based on myth or fairy tale-borrowed or invented for the occasion-her work evokes the most powerful aspects of sexuality and selfhood, of life and death, of apocalypse. Carter's most successful novels include The Magic Toyshop (1967), which received the John Llewellyn Rhys Prize and Several Perceptions (1968), winner of the Somerset Maugham Award. The Passion of New Eve (1977), a story of the end of the world and its possible new beginning with failed mankind replaced by a self-generating womankind. She translated many fairy tales and wrote several collections of short stories, including The Bloody Chamber (1979) which won the Cheltenham Festival of Literature Award and was the basis for the powerful movie A Company of Wolves. She worked as a journalist and as a professor at Brown and the University of Texas. She published two nonfiction books of interest: Nothing Sacred, selected writings, and The Sadeian Woman (1979).

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