The Uncanny

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Manchester University Press, 2003 - Literary Criticism - 340 pages
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This is the first book-length study of the uncanny, an important concept for contemporary thinking and debate across a range of disciplines and discourses, including literature, film, architecture, cultural studies, philosophy, psychoanalysis, and queer theory. Much of this importance can be traced back to Freud's essay of 1919, "The uncanny," where he was perhaps the first to foreground the distinctive nature of the uncanny as a feeling of something not simply weird or mysterious but, more specifically, as something strangely familiar. 

As a concept and a feeling, however, the uncanny has a complex history going back to at least the Enlightenment. Nicholas Royle offers a detailed historical account of the emergence of the uncanny, together with a series of close readings of different aspects of the topic. Following a major introductory historical and critical overview, there are chapters on the death drive, déjà-vu, "silence, solitude and darkness," the fear of being buried alive, doubles, ghosts, cannibalism, telepathy, and madness, as well as more "applied" readings concerned, for example, with teaching, politics, film, and religion. 

This is a major critical study that will be welcomed by students and academics but will also be of interest to the general reader.

 

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Contents

IV
1
V
39
VI
51
VII
75
VIII
84
IX
107
X
108
XI
112
XVII
205
XVIII
213
XIX
219
XX
226
XXI
241
XXII
256
XXIII
277
XXIV
289

XII
133
XIII
142
XIV
172
XV
187
XVI
203
XXV
307
XXVI
329
XXVII
334
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About the author (2003)

Nicholas Royle is Professor of English at the University of Sussex.

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