The Classical Guitar: Design and Construction

12th fret allow angle apply banding base bass bending bindings blade block body bridge saddle carried centre centre line clean colour constructed correct cramp curve decoration dovetail edge face finally fingerboard finish flat former fret position gauge give glue glued grain groove guitar head heel height held hold hole important increased inlay inside joint length lift light look lower makers mark match measured method mosaic neck obtained outline pattern pencil piece placed plane played position possible prepared produced pull quartered reinforcement remove ribs rollers rosewood round rule scale selected shape sharp side slightly soundhole square stage straight string strip strut sycamore Take taken tapered tension thickness thin timber tone top and bottom top nut treble true turn underside veneer waist waste wedges width wood