The Classical Guitar: Design and Construction

12th fret allow angle appearance applied banding base bass bending bindings blade block body bridge saddle carried centre centre line clean colour constructed correct cramp curve decoration dovetail edge face finally fingerboard finish flat former fret gauge give glue glued grain groove guitar head heel height held hold hole important inlay inside joint length lift light look lower makers mark match measured method mosaic necessary neck obtained outline pattern pencil piece placed plane plastic played position possible prepared produced pull quartered reinforcement remove ribs rollers rosewood round rule selected shape sharp side slightly soundhole square stage straight string strip struts sycamore Take taken tapered thickness thin timber tone top and bottom top nut treble turn underside veneer waist waste wedges width wood