The death of the critic

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Continuum, 2007 - Biography & Autobiography - 160 pages
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The critic has long been a reviled figure, at best the mere handmaiden of the "creative" arts, at worst a parasite upon them. For Brendan Behan, critics are like eunuchs in a harem. They know how it is done. They have seen it done every day. But they are unable to do it themselves. In an age of book clubs, celebrity endorsements and bloggers, what role is there now for the professional critic as an arbiter of artistic value? Are literature and the arts merely a question of personal taste? Is one opinion "as good as another"? Ronan McDonald's The Death of the Critic seeks to defend the role of the public critic. He argues against recent claims that all artistic value is simply relative and subjective. This forceful, accessible and eloquent book considers why high profile, public critics such as William E mpson, F.R. Leavis or Lionel Trilling, become much rarer in the later twentieth century. Alert to the cultural and academic climate of both the UK and the USA, this controversial and timely intervention will engage scholars, students, critics and anyone concerned with the role of literary and artistic culture in the public sphere. >

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The death of the critic

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McDonald argues that crowing blog-based citizen opinionistas, triumphant over shrinking print media coverage of books are simply kicking a dead horse; the lit critic, it seems, was killed already by ... Read full review

Contents

The Value of Criticism l
1
The Foundations of Critical Value
41
Science and Sensibility
75
Copyright

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About the author (2007)

Ronan McDonald is a Lecturer in the Department of English at the University of Reading.

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