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AND SOME RELATED PROBLEMS I
SOME HISTORIC SOLUTIONS
THE STRUCTURE OF TRAGEDY
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action Aeschylus appears aspect attempt audience balance become called cause CHAPTER character Christian clear common complex conception conscious consider criticism dead death desire dramatic dramatist effect elements Elizabethan emotions evil example existence experience expression fact fear feeling final force give given Greek hero human Ibsen idea images imagination important individual interest interpretation kind less limited living London man's material meaning mind moral mystery nature never once particular passion past pattern perceived perhaps pity play pleasure plot poetic poetry position possible present probably problem question reason relation religious response ritual sadism scene seems seen sense Shakespeare situation soul stage statement strong structure suffering suggest symbol theatre theory things thought tion traditional tragedy tragic turn values whole woman women Yeats