The Picturesque: Studies in a Point of View, Pages 1-82 |
Contents
IDEAL AND PICTURESQUE LANDSCAPE | 18 |
THE SUBLIME THE BEAUTIFUL AND | 51 |
PICTURESQUE TRAVEL | 83 |
Copyright | |
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admired aesthetic Albert Museum Alps appearance appreciation architect architecture artists broken Brown buildings Burke century classic Claude CLAUDE LORRAINE cliffs colour composition Constable cottages delight Downton Castle effect Eidophusikon emotion England English esque Essay feeling foreground Francis Goodwin Gainsborough Gallery Gilpin Gothic Gothic revival Gray grounds hills Horace Walpole Humphry Repton ideal landscape ideas imagination irregularity Italian James Malton lake Landscape Gardening landscape painting light look mind mountains nature objects observed P. F. Robinson painter park Payne Knight picturesque beauty picturesque point picturesque qualities plants Plate poetry poets Poussin Price and Knight principles produced prospect Repton Reynolds Richard Payne Knight rocks romantic ruins Rural Salvator Rosa scape scene scenery seen shade sketch style sublime taste terraces theory Thomas tion tour trees Turner Uvedale Price Vanbrugh Victoria and Albert village vision Walpole water-colours whilst wild William WILLIAM GILPIN woods